流媒体's Tim Siglin interview GigCasters' Casey Charvet at 流媒体 East 2018.
专题文章,
2018年5月30日发布
If you can get past the unimpressive low-light sensitivity, the Blackmagic URSA Broadcast 4K is a low-cost and capable video camera that can be configured for ENG or Studio work with natively mounted, 动力, 和控制B4镜头.
专题文章,
2018年5月29日发布
流媒体 Contributing Editor Tim Siglin interviews Knowledge Vision's Michael Kolowich at 流媒体 East 2018
专题文章,
2018年5月23日发布
Testing the Epiphan Webcaster X2 compact encoder on a packed schedule of interviews streamed to Facebook Live from the show floor at 流媒体 East 2018
专题文章,
2018年5月21日发布
流媒体 Contributing Editor Tim Siglin interviews Technicolor-Postworks' Anthony Raffaele following his keynote at at 流媒体 East 2018
专题文章,
2018年5月16日发布
In this tutorial I'll look at two new cameras from Blackmagic Design: the URSA Broadcast, a 4K camera; and the URSA Mini Pro 4.6K, which is an update to the previous URSA Mini 4.6K.
专题文章,
2018年5月14日发布
Teradek VP Sales Jon Landsman discusses live streaming problem-solving and new announcements at 流媒体 East 2018.
专题文章,
发布于2018年5月8日
Here are some tips to help you quickly create videos that are tailored for Instagram.
专题文章,
2018年5月7日发布
At NAB 2018, I shot 13 video interviews using my new iPhone X. 在本文中, 我会详细说明我用过的辅助装备, and discuss the production and artistic lessons that I learned.
专题文章,
2018年5月1日发布
This review is an introduction and an overview of the Blackmagic ATEM 1 M/E Advanced Panel and the Television Studio HD. The Advanced Panel is accessible enough for rookies to not be intimidating, but it's also advanced and customizable enough for veteran directors.
专题文章,
发布于2018年4月30日
流媒体 Producer's Shawn Lam and Blackmagic Design's Dan May discuss Blackmagic new Television Studio Pro 4K switcher at NAB 2018.
专题文章,
发布于2018年4月24日
流媒体 Producer's Shawn Lam and Vimeo's Mark Kornfilt discuss Vimeo's acquisition of Livestream and implications for the Vimeo platform.
专题文章,
发布于2018年4月23日
BirdDog's Dan Miall and 流媒体 Producer's Shawn Lam discuss the benefits of NDI and BirdDog's implementation of the technology in its line of compact streaming solutions.
专题文章,
发布于2018年4月23日
The editing capabilities found in YouTube's back end aren't going to compete with nonlinear editors like Apple Final Cut Pro or Adobe Premiere Pro, but there are some powerful and unique tools that can make simple editing projects even simpler.
专题文章,
发布于2018年4月23日
Adobe's Steve Forde and 流媒体 Producer's Shawn Lam discuss the AI-enabled Adobe Sensei including its use in Premiere Pro's new shot-matching feature.
专题文章,
发布于2018年4月17日
Even after working professionally in video for more than 10 years, I'm still finding ways to improve my studio's approach to preproduction. Here are some practical tips that I've learned from past experiences that have made my crew better at the process.
专题文章,
发布于2018年4月16日
Atomos' Mark Naidoo and 流媒体 Producer's Shawn Lam discuss the benefits of ProRes RAW and its implementation in the latest AtomOS update.
专题文章,
发布于2018年4月13日
流媒体 Producer's Shawn Lam and vMix's Martin Sinclair discuss the new pro color correction and grading features in vMix 21 at NAB 2018.
专题文章,
2018年4月12日发布
We walked hundreds of miles of conference floors and watched scores of demos to determine the best streaming video products from this year's show.
专题文章,
发布于2018年4月11日
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